Xem phim What Happened to Monday 2017 Trực tuyến đầy đủ
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Xem phim What Happened to Monday 2017 Trực tuyến đầy đủ
Đoàn làm phim
Cục nghệ thuật phối hợp : Jassim Bosco
Điều phối viên đóng thế : Ilay Zarader
Bố cục kịch bản :Neill Dumas
Hình ảnh : Vivien Sally
Đồng tác giả : Piers Boon
Nhà sản xuất điều hành : Moheen Delisle
Giám đốc nghệ thuật giám sát : Paquin Janelle
Sản xuất : Desirat Evony
Nhà sản xuất : Selyan Abigaïl
Nữ diễn viên : Chalut Valere
In a world where families are limited to one child due to overpopulation, a set of identical septuplets must avoid being put to a long sleep by the government and dangerous infighting while investigating the disappearance of one of their own.
7.2
3890
What Happened to Monday | |
Thời lượng | 113 minutes |
Năm sản xuất | 2017-08-18 |
Trạng thái | FLA 1080p HDTV |
Thể loại | Science Fiction, Thriller, Drama, Mystery |
Ngôn ngữ | English |
Diễn viên | Nolen M. Lareen, Assia S. Rideau, Ayane E. Dalia |
[HD] Xem phim What Happened to Monday 2017 Trực tuyến đầy đủ
Phim ngắn
Chi tiêu : $839,277,103
Doanh thu : $602,499,041
Thể loại : Cần sa - Trí tuệ , Kiến thức - Ngôn ngữ học , một kẻ thù đen tối pháp luật - Chủ nghĩa xã hội , Không vấn đề gì Người sói - tháo vát
Nước sản xuất : Liberia
Sản xuất : Margo
Tommy Wirkola steps away from his typically fun style of filmmaking for this dark and tragic scifi. But a good director's a good director and despite being maybe a little more predictable than it thinks, not to mention Glenn Close trying her hardest to derail he manages to pull off _What Happened to Monday_. Extra special props to Noomi Rapace who successfully plays not seven as advertised but **eight** different characters with virtually no overlap in characterisation.
_Final rating:★★★ - I liked it. Would personally recommend you give it a go._
I'm not aware if this is a remake but it does stand in debt to the dystopic sci-fi of the seventies. Decent acting by lead Noomi Rapace against herself(s) with good support from Willem Dafoe. Scenery is well made but uninteresting and the same goes for the action. It is a quite forced how disparate the siblings are and their individual characters may be in different colours but are only one sheet thick. The story of their upbringing would be a more interesting story than what we have here. Ultimately, it is a predictable thing this entire weekly affair.
If you were to go through my movie collection, you would find an eclectic mix of films. One of the most prevalent in the mix of genres & sub-genres, I have many that are post apocalyptic/futuristic dystopian world films. Its the kind of film I love exploring, as its a look at not only our possible future, but a look at ourselves now, and where we are heading should we continue down certain paths.
In the tradition of some of the great films like the classics Blade Runner, and Total Recall, to more modern tales like Equilibrium, and Children of Men comes What Happened to Monday.
Set in a future where food resources are drastically low due to overpopulation, a sinister organization responsible for implementing a one-child policy by taking all subsequent sibling to be cryogenically frozen until such a time when resources are enough to cover everyone.
Terrence Settman (Dafoe) finds himself in a rather precarious position with the birth of sextuplets, granddaughters, whose mother dies during labour. Naming them after each day of the week, he makes the dangerous decision of taking them all in to his care, raising them in secret, and taking all necessary precautions to ensure that they live in secret.
When the girls have grown to an age where he feels comfortable, and confident that they are aware of the dangers of the outside world, and the consequences of anything that could mean the secret being uncovered, he allows each girl to go out on the day after which they were named, ie; Monday on Monday, Tuesday on Tuesday, and so on, and so forth. The girls each live their day outside as one Karen Settman.
As is the case with any group of children, the girls exhibit an array of personality traits from shy and demure to outgoing and rebellious, with the rebel of the seven causing a uncomfortable, and lasting, consequence for the other six siblings when she goes out on a day that she was not designated to do so, and suffers a painful injury.
Fast forward some 30 years we find that the girls have grown to adulthood successfully in secret, and while inside they exhibit their own personalities, do their own thing, and keep their own interests, they work very well together maintaining the life of Karen Settman out in the world. This is largely down to nightly debriefings from the one who went out that day, so that the others are aware of their role to maintain their cover.
This all works perfectly until Monday doesn't come home from work, leaving her sisters extremely worried about what could have happened to her, and Tuesday going blind to what is waiting for her outside, with no knowledge of the previous days happenings. It is now up to Tuesday and her sisters to figure out what happened to Monday.
The thing I love most about this film is it's concept, its what I love about the genre in general, as a dystopian future story can lend itself to anything that can cause a dystopia to happen, over population causing implementation of restricted breeding, or emotions being banned so that people don't fight, and cause war.
I also love the performances of Noomi, and Clara in the two stages of the girls' lives, the seven nuanced personalities demanded such range from both to capture the essence of the seven sisters, but also the prime character of Karen.
What also impressed me about this film, is the way in which the seven different characters were juxtaposed in the scenes they were together in. In no way was this done cheaply, or nasty, and definitely did not come off cheesy.
phim the witcher What Happened to Monday ngôn tình Seven sisters. One identity. nhà máy sản xuất xăng e5 2017-08-18 hoàng lê nhất thống chí Raffaella De Laurentiis, Philippe Rousselet, Gillian Hawser, Guy Stodel, Hester Hargett, Adrian Politowski, Eduard Daniel Vraciu, Tommy Wirkola, Max Botkin, Max Botkin phim mẹ ơi đừng khóc phim yêu tinh tập cuối nhà máy sản xuất sắt hộp phim đội đặc nhiệm máy phim chiếu rạp hay 2019 bài cảnh ngày hè phim 80 nam chuyen tinh tap 74 What Happened to Monday phim mẹ ơi bố đâu rồi hàn quốc Seven sisters. One identity. phim 50 sắc thái 2017-08-18 ấn độ Raffaella De Laurentiis, Philippe Rousselet, Gillian Hawser, Guy Stodel, Hester Hargett, Adrian Politowski, Eduard Daniel Vraciu, Tommy Wirkola, Max Botkin, Max Botkin rhapsody là gì gái già lắm chiêu phim 99 ngay lam co dau tap 1 phim em của thời niên thiếu chuyển thể từ truyện gì đồ chơi trẻ em phim quý ông hoàn hảo tập 14 chính thức của singapore.
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